Glossy television images of happy, industrious, and increasingly prosperous workers show a bright view of life in twenty-first-century China. But behind the officially approved story is a different reality, Gerard Lemos reveals in this extensively researched book. Lemos conducted hundreds of interviews with Chinese men and women in non-westernized areas distant from such cities...(展开全部)

This ground breaking study dispels the common belief that Chinese 'doesn't have words' but instead 'has characters'. Jerome Packard's book provides a comprehensive discussion of the linguistic and cognitive nature of Chinese words. It shows that Chinese, far from being 'morphologically impoverished', has a different morphological system because it selects different 'settings' o...(展开全部)

The past quarter of a century has seen a surge in Chinese syntactic research that has produced a sizeable literature on the analysis of almost every construction in Mandarin Chinese. This guide to Chinese syntax analyses the majority of constructions in Chinese that have featured in theoretical linguistics in the past 25 years, using the authors' own analyses as well as existin...(展开全部)

The past quarter of a century has seen a surge in Chinese syntactic research that has produced a sizeable literature on the analysis of almost every construction in Mandarin Chinese. This guide to Chinese syntax analyses the majority of constructions in Chinese that have featured in theoretical linguistics in the past 25 years, using the authors' own analyses as well as existin...(展开全部)

A satisfactory comprehensive history of the social and economic development of pre-modern China, the largest country in the world in terms of population, and with a documentary record covering three millennia, is still far from possible. The present work is only an attempt to disengage the major themes that seem to be of relevance to our understanding of China today. In particu...(展开全部)

伊懋可（Mark Elvin，1938— ），剑桥大学博士，澳大利亚国立大学历史系荣休教授，当代著名历史学家。主要研究领域为：中国经济史、文化史、环境史。代表作有：《中国的历史之路》（另译《中国历史的模式》）、《大象的退却》等。

In a groundbreaking approach to avant-garde Chinese art, the 1999 exhibition “Transience: Chinese Experimental Art at the End of the Twentieth Century” established a historical framework for current artistic production in China. Organized by the David and Alfred Smart Museum of Art at the University of Chicago, the show and its catalog highlighted the diverse responses of twent...(展开全部)